The torso was a paper maché figure I purchased from Spotlight, an Australian haberdashery store. I inserted a small dowel through the base of the torso, up into the neck, and then fixed the dowel into the wooden base. I painted the base black and glued the checkerboard tessellation onto its surface.


I love how you did the black and white roping around the edges... did you wrap several stacked black strips with ivory?
Yes, that's just what I did. This technique is called bandaging and was used in lots of antique quilling to define areas, especially in tea caddies. I only glued at the start and finish of the wrapping, as that allowed me to be able to manipulate the strip more easily when bending it around curved areas. In some areas, like the handbag edges, I used 1.5 mm or 1/16th inch width paper (for both the wrapping and the bundle) and fewer black strips in the bundles, whereas the handle of the bag is 3mm or 1/4 inch black, wrapped with 3mm or 1/4 inch ivory.
Yes, that's just what I did. This technique is called bandaging and was used in lots of antique quilling to define areas, especially in tea caddies. I only glued at the start and finish of the wrapping, as that allowed me to be able to manipulate the strip more easily when bending it around curved areas. In some areas, like the handbag edges, I used 1.5 mm or 1/16th inch width paper (for both the wrapping and the bundle) and fewer black strips in the bundles, whereas the handle of the bag is 3mm or 1/4 inch black, wrapped with 3mm or 1/4 inch ivory.
I repeated the bandaging throughout the piece, with the idea that the technique/patterning would bring it together as a whole. Each component, except the jewellery, features bandaging.